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今天是:

infinitesimal generator是什么意思


中文翻譯[無(wú)窮小]生成元

網(wǎng)絡(luò)釋義

1)infinitesimal generator,[無(wú)窮小]生成元2)infinitesimal generator,無(wú)窮小生成元3)the infinitesimal generator,無(wú)窮小生成元4)infinitesimall generator,無(wú)窮小生成元矩陣5)complete infinitesimal generator,完備無(wú)窮小生成元6)(stochastic)infinitesimal generator,(隨機(jī))無(wú)窮小生成元7)Wu,無(wú)8)nothing,無(wú)9)nothingness,無(wú)10)"Wu",無(wú)

用法例句

    Characterization of exponentially bounded C-semigroups by infinitesimal generators;

    無(wú)窮[無(wú)窮小]生成元對(duì)指數(shù)有界C-半群的刻劃

    The characteristics of infinitesimal generator of equicontinuous semigroups of class (C_0);

    (C_0)類等度連續(xù)半群的無(wú)窮[無(wú)窮小]生成元的特征

    ) parameters contained in their infinitesimal generators.

    研究當(dāng)無(wú)窮[無(wú)窮小]生成元含有參數(shù)時(shí),其生成的C0半群關(guān)于參數(shù)的可微性問(wèn)題。

    Being or Nothing: A Comparative Research on the Thought of Hegel s "Being" and "Nothing";

    有無(wú)之辨:對(duì)黑格爾“有無(wú)”思想的比較研究

    Nothingness" ——the philosophy s dimension of freedom ——On the ancient Chinese philosopher Laozi s thought of "nothingness;

    無(wú)——自由的哲學(xué)之維——老子“無(wú)”的思想研究

    On "Existence-Nothingness" Ontology and the Development of Taoist Philosophy in Jin-Tang Dynasties;

    淺論“有無(wú)”本體論在晉唐道教義理上的發(fā)展

    The dialectic bewteen "nothingness"and "being" impenetrates Hegel s and Heidegger s philosophy through their thinking about problem of being.

    在對(duì)存在的思考中,黑格爾哲學(xué)和海德格爾哲學(xué)中都貫穿了“無(wú)”與“在”的辯證,只是思考的路徑不同,導(dǎo)致了對(duì)“無(wú)”與“在”的不同理解。

    Zhuangzi thought that"Wu"is the fountain head of"Dao","Nihility"is the quality of"Dao".

    莊子認(rèn)為"無(wú)"是"道"之本源,"虛"是"道"之稟性,"無(wú)"與"虛"蘊(yùn)藏著勃勃生機(jī)。

    This thesis holds that there re misunderstandings about the relation between Lzo Tzu s concept of "Tao" and his concepts of "yu" and "wu" and that this needs clarification.

    本文認(rèn)為,人們對(duì)老子的“道”及其“有”“無(wú)”三概念之間的關(guān)系迄今還存在誤解,有進(jìn)一步澄清的必要。

    He based his discussion of music on "He" (harmony), explained "He" with "Wu" (letting things take their own course), and extended the content of "He" as the traditional music ontology with the spirit of " Wu".

    他以“和”論樂(lè),同時(shí)又以“無(wú)”釋和,用玄學(xué)的“無(wú)”的精神來(lái)進(jìn)一步擴(kuò)充傳統(tǒng)的音樂(lè)本體“和”的內(nèi)涵。