Aspects of Modernism Maison Dom-lno and the Self-Referential Sign;
現(xiàn)代主義的角度 多米諾住宅和自我指涉符號
Image and Sign of Sugiura Kohei s Magazine Design;
杉浦康平雜志設計中的圖像和符號
Reconstruction of Traditional Chinese Cultural Sign in Product Design;
論中國傳統(tǒng)文化符號在產(chǎn)品設計中的重構
On The Ming Dynasty Style Furniture Decoration Mark and The Utilization;
明式家具裝飾符號及運用初探
Preliminary Study About Foundation Sports Vision Mark New Discipline Theory System;
關于創(chuàng)建體育視覺符號新學科理論體系的初步研究
Brief Talk about Mark Gene and Brand Spread;
淺談符號基因與品牌傳播
Classification of cultural symbols in African batik patterns;
非洲蠟染圖案中的文化符號分類
Topological Analysis on the Symbol Factors of the Brick House Designed by Mies;
密斯磚宅另解之符號因子的拓撲解碼
The Cross-culture Diffusion of Symbols in Ads;
淺論符號在廣告中的跨文化傳播
The Connotation of Arbitrariness of Linguistic Symbols;
試論語言符號的任意性內(nèi)涵
A Study on the Application of Chinese Traditional Cultural Symbols in Architectural Design;
中國傳統(tǒng)文化符號在建筑設計中的應用研究
This paper proposes that the designer should exactly make use of its applied signs and interaction influenced by them and should make sure that these signs appropriately express the designer s designing idea.
平面設計是利用平面媒體傳達信息為目的的 ,設計者應準確把握住它應用的符號和影響方法上的互動 ,保證這些符號恰如其分地表述設計者的設計理
This paper probes into the way and the character of creation of spatial visual relationship from the factors as follows: specific signs, proper material, light and color and inner displays.
從特定形式符號 ,適宜材料的應用 ,光與色以及內(nèi)部陳設的考慮等幾方面因素的分析 ,探討了建筑空間視覺關聯(lián)創(chuàng)造的方法特征 ,指出了這種特定空間意義的關聯(lián)要通過對特定的空間造型因素進行相關的視覺刺激來完
By conducting researches on the pattern signs of Large quantities of colored crockery and utensils in New Stone Age, the underlying conno.
本文作者從《周髀》一書中“數(shù)之法出于圓方”的提法獲得啟示 ,通過對新石器時代大量彩陶等日用器皿上花紋符號的研究 ,發(fā)現(xiàn)了其中蘊藏的數(shù)理內(nèi)涵及其規(guī)律 ,使中國古代關于數(shù)的起源的傳說在彩陶花紋的組合形式中得到驗證 ,從而得出數(shù)的起源正是在對日月往來觀測認識的記錄中、在“超以象外”的理性升華中產(chǎn)生的這一重要結
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